![DEl Kathryn Barton [Australian b. 1972] the more than human love , 2025 Acrylic on French linen 78 3/4 x 137 3/4 inches 200 x 350 cm Framed dimensions: 79 7/8 x 139 inches 203 x 353 cm](/sites/default/files/styles/category_card_187x139/public/ab15211bartonthe-more-human-lovelg.jpg?itok=LJbNuU6F)
Mantegna and Bellini's unique relationship pushed them to become innovative masters of their craft.
Catherine Hickley
Lotte Laserstein’s career flourished in the Weimar Republic. But she fled the Nazis and sank into obscurity. Now she has been rediscovered.
The gift from the widow of Erhard Göpel, a dealer who worked for Hitler and engaged in the plunder of Jewish collections during World War II, raises ethical questions.
A once-in-a-lifetime experience at Vienna’s Kunsthistorisches Museum
Spitzmaus Mummy in a Coffin and other Treasures ignores traditional curating concepts to show an eclectic mix of the bizarre and beautiful.
The reattribution of Rembrandt’s drawings 350 years later are revealing new things about the artist and his students.
Stockholm revisits its 1968 exhibition of Andy Warhol–the artist’s first solo show in a museum
Bauhaus at 100: New Weimar Museum Welcomes the Avant-Garde Home
As museums increasingly question the practices of the colonial past, human remains that were once prized collectibles are increasingly an anachronistic embarrassment.
After a hundred years abroad, a unique collection preserved by a fleeing monarch is returned to its home.
As the western art world gradually wakes up to the realization that for centuries, it has been dominated by white male artists and curators–and that this state of affairs is neither sustainable…
![DEl Kathryn Barton [Australian b. 1972] the more than human love , 2025 Acrylic on French linen 78 3/4 x 137 3/4 inches 200 x 350 cm Framed dimensions: 79 7/8 x 139 inches 203 x 353 cm](https://www.artandobject.com/sites/default/files/styles/image_5_column/public/ab15211bartonthe-more-human-lovelg.jpg?itok=wW_Qrve3)
