Northern Lights features more than seventy landscape paintings by artists from the Nordic region and Canada created between 1880 and 1930, among them masterworks by Edvard Munch and Hilma af Klint. The boreal forest—a global belt of evergreen forests that hugs the Arctic Circle—was a shared source of inspiration for a new kind of modernist painting that emerged across national and geographic boundaries.
The boreal region’s seemingly boundless expanses of forest, the radiant light of endless summer days, the long winter nights, and natural phenomena such as the aurora borealis gave rise to a specific form of modern painting whose appeal and fascination endures to this day. In the works on view, the boreal forest, one of Earth’s largest primeval forests, takes on the quality of a spiritual landscape.
“Northern Lights gathers together artworks that cross national boundaries in order to demonstrate the profound creative impacts of a remarkable environmental context,” said Helga Christoffersen, Curator-at-Large and Curator, AKG Nordic Art & Culture Initiative. “It has been an honor to work with the Fondation Beyeler to realize this landmark exhibition, as it is evidence of the power of transnational collaboration.”
Northern Lights traces the development of landscape painting in modern art through selected works by Helmi Biese (Finnish, 1867–1933), Anna Boberg (Swedish, 1864–1935), Emily Carr (Canadian, British Columbia, 1871–1945), Prince Eugen (Swedish, 1865–1947), Gustaf Fjæstad (Swedish, 1868–1948), Akseli Gallen-Kallela (Finnish, born in Grand Duchy of Finland, then part of the Russian Empire, 1865–1931), Lawren Harris (Canadian, Ontario, 1885–1970), Hilma af Klint (Swedish, 1862–1944), J. E. H. MacDonald (born in Durham, England, emigrated to Canada, 1873–1932), Edvard Munch (Norwegian, 1863–1944), Harald Sohlberg (Norwegian, 1869–1935), and Tom Thomson (Canadian, Ontario, 1877–1917), among many others.