At Large  August 20, 2025  Annah Otis

From Fine Art to Finance: Trophy Art Loses Its Shine

WikiCommons

Alberto Giacometti in his studio in Montparnasse, Paris, photographed by his wife, Annette Giacometti. License

Alberto Giacometti’s “Large Thin Head” is still waiting for its next collector after failing to sell at Sotheby’s New York auction in May for an asking price of $70 million. Andy Warhol’s “Big Electric Chair” was saved from a similar fate when Christie’s pulled the $30 million canvas from their spring auction. 

It’s tempting to imagine these pieces simply biding their time until the right buyer comes along, but the truth is more sobering: the business models that once enabled auction houses to thrive and the billionaire collectors who saw art as a valuable asset class are being replaced with private sale-forward strategies and a more diverse generation of investors with different collecting priorities.

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Andy Warhol at the Jewish Museum. License

This is why last year’s 45% decline in auction sales of paintings valued at more than $10 million should not come as a surprise– especially since there was a similar, if less drastic, decrease in 2023. Economic uncertainty and high interest rates are easy scapegoats but not an altogether convincing explanation for the drastic dip. After all, wealthy Americans are richer than ever before, with the top 10% adding $37 trillion to their wealth since 2020. And, those who purchase art often do so for the love of it, rather than as a high-yield investment.

A more compelling reason for shifts in high-end auction sales is the emergence of a younger and more diverse collector cohort. Gen Z and Millennial buyers are not showing the same interest in work that their Gen X or Baby Boomer equivalents gravitated towards—and are now trying to sell. 

Women’s increased purchasing power may also be a contributor. Almost 70% reported being their household’s primary investment decisionmaker in 2024. At the same time, women are less likely to purchase art valued at more than $1 million, even though they have spent more on art than men in recent years. Combine this with a general preference for art by or of women (very little of which exists above the $10 million mark) and you have a vastly different buyer profile than even a decade ago. The same goes for collectors of color. In a post-white male buyer world, “trophy art” is gathering dust.

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Sotheby’s New York City building. License

This is not to say that other factors are not at play. Yes, auction totals during the first half of 2025 were at their lowest in at least a decade, and sellers might be holding onto their art until prospects improve. Yes, there is a surge in private sales, and public auctions are increasingly pre-negotiated by guarantees. Yes, high interest rates have deterred speculators who once snatched up trending artists to flip for a profit.

However, the bottom line is that splashy sales of multi-million dollar artwork are giving way to lower-value, but more frequent purchases, by historically overlooked (or outbid) collectors. There was a 13% increase in sales of art less than $5,000 in 2024. To what extent auction houses are willing to adapt and meet a more diverse cohort of buyers where they are will determine their fate. 

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