The Second Wave artists not only advanced Modernism but also infused it with a distinctive spirit-- reflective, radical, and deeply connected to place. Taos, already celebrated for its luminosity and dramatic landscapes, became a magnet for these post-war innovators. Here, the “Taos Moderns” rejected Regionalism, Social Realism, and commercial tropes in favor of bold abstraction and a reimagined landscape genre.
Second Wave traces the development of these veterans into internationally recognized artists living and working in New Mexico, featuring paintings, works on paper, and sculptures by Emil Bisttram, Norman Bluhm, Lawrence Calcagno, John Chamberlain, Richard Diebenkorn, Ted Egri, Robert M. Ellis, Leo Garel, Fred Hammersley, Cliff Harmon, Janet Lippincott, Beatrice Mandelman, Louis Ribak, Oli Sihvonen, Earl Stroh, and others.