![DEl Kathryn Barton [Australian b. 1972] the more than human love , 2025 Acrylic on French linen 78 3/4 x 137 3/4 inches 200 x 350 cm Framed dimensions: 79 7/8 x 139 inches 203 x 353 cm](/sites/default/files/styles/category_card_187x139/public/ab15211bartonthe-more-human-lovelg.jpg?itok=LJbNuU6F)
The visual directness of Christina Ramberg’s paintings can be misleading. Take Shady Lacy (1971), which shows the back of a shapely figure dressed in a…
Sarah Bochicchio
Around 1908, Vanessa Bell began a painting that she would call Poppies and Poison. In it, she limns a tabletop in cool-toned whites, set against a…
In the exhibition Elligible/Illegible at PS122, curators Francisco Donoso and danilo machado explore the complex process of immigration for children applying for the Deferred Action for Childhood…
Instagram, shop windows, and street style all shout that the 2000s are back: baggy low-rise jeans, baguette-style purses, paisley halter tops. But what happens when the decade in vogue is neither new…
Salon Art + Design has, over the last decade, become an unmissable event on the fall arts calendar. Now in its eleventh edition, Salon returns…
Long overlooked, the sisters—Anna, Elisabeth (Lies), and Willemien (Wil)—are now the subjects of a book, The Van Gogh Sisters by Van Gogh scholar Willem-Jan Verlinden.
April Bey’s practice is grounded in the fundamental truth that systems and attitudes don’t need to be the way they are. Through both her striking aesthetic and her conceptual approach, Bey breaks…
eL Seed's multimedia work combines elements of painting, sculpture, and writing. After long periods of research, he introduces text-forward art installations in different communities, using language…
Nujoom Al-Ghanem is, unquestionably, one of the pioneering artists of the UAE. She began her career as a poet and journalist, and she has since moved into multiple other mediums; she has published…
Maitha Abdalla’s oeuvre lives somewhere between the surreal world of dreams, the theatrical world of performance, and the very real cultural signifiers found within her daily life. Pulling…
Hussain AlMoosawi is an Emirati designer and photographer whose work sits at the intersection of research and creativity. In an ongoing series, AlMoosawi photographs architectural facades around the…
Scholars and curators are reviving these oeuvres and changing the way we talk about women in art history. From the paper cuttings of Joanna Koerten to the drawings of Gesina Ter Borch, here is a…
As a special experience brought to viewers by the founders of the Khaleeji Art Museum, Museum in the Sky is a digital gallery walk-through. Created in partnership with Emirates airlines, its creators…
Julia Margaret Cameron’s early critics were concerned with beauty—the beauty of her sitters, her sensitivity in capturing it, her own physical charm, and, of course, where she failed to meet certain…
The surrealism of Rosenstein’s work comes from the way something so bewitching can also be nightmarish, bodily, ironic, and enigmatic.
![Ginevra de’ Benci [obverse]. 1474/1478. Leonardo da Vinci. Oil on Panel. Ailsa Mellon Brue Fund, National Gallery of Art.](https://www.artandobject.com/sites/default/files/styles/image_5_column/public/ginevradebenciobverse196761a.jpg?itok=hIzdUTaK)
