Working from radically different materials and processes, Strati and Hayman arrive at a surprisingly shared territory. Strati constructs his landscapes from fragments of antique and vintage porcelain, extending the decorative imagery of broken plates into intricate drawn worlds. Hayman, working primarily in oil on canvas, approaches landscape from the opposite direction: rather than describing a recognizable scene, she distills nature into color, movement, space, and gesture. One artist begins with something tangible that has survived from the past; the other translates the fleeting experience of looking, feeling, and remembering.
Together, their works propose that landscape is never entirely objective. It is something we assemble - piece by piece, impression by impression - through what we remember, what we notice, and what the imagination supplies.

















