![DEl Kathryn Barton [Australian b. 1972] the more than human love , 2025 Acrylic on French linen 78 3/4 x 137 3/4 inches 200 x 350 cm Framed dimensions: 79 7/8 x 139 inches 203 x 353 cm](/sites/default/files/styles/category_card_187x139/public/ab15211bartonthe-more-human-lovelg.jpg?itok=LJbNuU6F)
One of Rome’s restorative problems begins miles outside of the city.
conservation
One hundred life-size Indian elephant sculptures are slowly making their way across the United States. The Great…
The National Gallery's Conservation Fellow, Kendall Francis takes a closer look at indigo, a blue dye and pigment extracted from the leaves of plants, and how it is used and represented in…
A new self-portrait from Vincent Van Gogh has recently been detected, hidden under layers of glue and cardboard, by the National Galleries of Scotland (NGS). Officials are confident, though not…
The National Gallery's Britta New and Nelly von Aderkas discuss the cleaning of a Renaissance altarpiece that was hidden in an Italian wood store for many years.
Follow the conservation treatment and research of Emblem of Folly, a painting from colonial Cuzco. This is one of ten paintings in the Cuzco School style that were recently gifted to The Met as…
How do you keep art and the people who care for it safe during a global pandemic? The spread of Covid-19 has not changed that level of care, which we give to the thousands of artworks and the…
Conservators at the Art Institute of Chicago (AIC) have discovered a treasure hidden in one of their most famous Picasso works.
A recently botched restoration of a once beautiful painting of the Virgin Mary is proving once again why it’s best to leave some tasks to the experts.
Emily Jacobson works as a paper conservator at the Freer and Sackler. In this video, Emily explains how to study and conserve gold used in Islamic manuscripts, such as Qur'ans found in our…
For years an invisible culprit has been eating away at one of the most famous paintings in the world.…
A look 'beneath' Titian's canvases reveals the tweaks and changes he made as he worked over four hundred years ago. Find out more with Restorer Jill Dunkerton.
How can a museum attempt to conserve a performance? Join members of Tate’s Time-Based Media Conservation team, curators and researchers from Tate’s Reshaping the Collectible Research team as they…
At 355 years old, Johannes Vermeer's iconic Girl with a Pearl Earring still has secrets to reveal.
How artists, collectors, curators and museums value memory.
![Ginevra de’ Benci [obverse]. 1474/1478. Leonardo da Vinci. Oil on Panel. Ailsa Mellon Brue Fund, National Gallery of Art.](https://www.artandobject.com/sites/default/files/styles/image_5_column/public/ginevradebenciobverse196761a.jpg?itok=hIzdUTaK)
