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A Slice of Vermeer: The Rise of Fractional Art Ownership
The Divine Femininity of Del Kathryn Barton’s Creations
How I Got Started: Rowland Weinstein
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Magazine
Franz von Stuck
Myths and Darkness in Franz von Stuck’s “The Wild Hunt”
Franz von Stuck (1863-1928) was a German painter, sculptor, printmaker, and
…
Fair
How to Shop an Art Fair Like a Collector
Highlights From Upstate Art Weekend 2025
An Overview of This Year’s Hamptons Fine Art Fair
Contemporary Art
Collect Like an Expert: How to Find Great Emerging Artists
Squeak Carnwath: Life in Layers of Paint
Highlights from Art Dubai and UAE Biennials
Women Artists
The Beauty Behind Helen Frankenthaler’s Art
Jennifer Dasal’s New Book on The American Girls’ Club for Artists
Gertrude Vanderbilt Whitney: Sculptor, Collector, Museum Founder
LGBTQ Artists
Preview Laurence Philomene’s Masterful Monograph: "Puberty"
Eisenman’s Paintings Back in NYC Art Scene at Hauser & Wirth
6 Art World Events for Pride 2022
Modern Art
The Life and Art of Edgar Degas
Art 101: Impressionism
The Forgotten Art of Impressionist Blanche Hoschedé-Monet
Photography
The Life and Art of Noah Davis at the Hammer Museum
World Press Photo Questions Authorship of “Napalm Girl” Image
These Photographers Stunningly Capture Climate Change
Design
Art, Anatomy, and Humanity with Jonah Lobe
A Colorful Exhibition of Hiroshige’s Woodblock Prints
Nedra Matteucci Galleries and Garden: A Must-See Destination
Black Artists
An Intimate Exploration of Culture and Memory at NXTHVN
Fabiola Jean-Louis on the Language of Fashion
The Whitney Reintroduces Amy Sherald: The New Miss Americana
Painting
A Slice of Vermeer: The Rise of Fractional Art Ownership
The Divine Femininity of Del Kathryn Barton’s Creations
Renaissance, Romanticism, and Rebellion at Mint Museum Uptown
Indigenous Art
Jeffrey Gibson’s Celebrated Venice Biennale Exhibit at The Broad
Indigenous and Native American Art at Santa Fe Auction
History Painting: An Art Genre or the Manipulation of Truth?
Sculpture
Michelangelo: Exploring the Master's Art and Life
Sam Moyer’s Marble “Paintings” Confront the Mysteries of Nature
Examining Humanity Through Eduardo Chillida’s Sculptures
Auction
How A Collector’s Estate Planning Is Shaping the Fall Auction Market
What Is the Future of NFTs and Digital Art?
Turner’s First Exhibited Painting Rediscovered after 150 Years
Drawing
Ruth Asawa’s Retrospective of Looped Wires
Botanical Illustration: Where Science and Art Meet
The History of Copying Art: A Learning Tool or a Cheat?
Renaissance
The Theories Behind Da Vinci’s “Ginevra de’ Benci”
Artist Workshops: Their History, Benefits, & Drawbacks
Consider this Before Buying an Ancient Coin Necklace or Jewelry
Museum
Record Breaker: The Fantastic Journey of Leonora Carrington
Are Influencers Changing the Museum Experience?
An Inside Look at the History of the Louvre
Ancient Art
The Iconography of Zoroastrianism, the Oldest Monotheistic Religion
Etruscan Jewelry and the Charm of Gold in Antiquity
How Money Laundering Works In The Art World
Antiques
Art 101: What was Art Nouveau?
Maison Gerard Celebrates 50 Years With Historic Art Deco Pieces on View
Remembering Sanford Smith: Art Lover, Collector, and Businessman
Asian Art
Kintsugi Pottery Mending: Fragile Art for the Anxious Mind
Qi Baishi’s Inspiration in Ink: A Culturally Immersive Experience
David Castillo Gallery Showcases Asian Art Through “Alien/ΛᄂIΣП”
Latin American Art
Director Carla Gutierrez Examines Frida Kahlo’s Life Through Film
8 Latin American Artists You Should Know More About
ARTBO Celebrates 20 Years of Colombian Art
Gallery
The Book of Esther in the Age of Rembrandt
Emily Sargent’s Introspective Paintings at The Met
To Be a Woman in Antiquity: A Retrospective
![DEl Kathryn Barton [Australian b. 1972] the more than human love , 2025 Acrylic on French linen 78 3/4 x 137 3/4 inches 200 x 350 cm Framed dimensions: 79 7/8 x 139 inches 203 x 353 cm](/sites/default/files/styles/category_card_187x139/public/ab15211bartonthe-more-human-lovelg.jpg?itok=LJbNuU6F)
![Ginevra de’ Benci [obverse]. 1474/1478. Leonardo da Vinci. Oil on Panel. Ailsa Mellon Brue Fund, National Gallery of Art.](https://www.artandobject.com/sites/default/files/styles/image_5_column/public/ginevradebenciobverse196761a.jpg?itok=hIzdUTaK)
