![DEl Kathryn Barton [Australian b. 1972] the more than human love , 2025 Acrylic on French linen 78 3/4 x 137 3/4 inches 200 x 350 cm Framed dimensions: 79 7/8 x 139 inches 203 x 353 cm](/sites/default/files/styles/category_card_187x139/public/ab15211bartonthe-more-human-lovelg.jpg?itok=LJbNuU6F)
Amy Funderburk
Art historian Jennifer Dasal crafts a window into France’s "Beautiful Age” with her sophomore book, The…
A sense of interconnectedness resides at the heart of mixed-media artist Rose…
Artist Nerys Levy feels that art is a “soft introduction” to …
On the occasion of the release of Audrey Flack's riveting memoir, With Darkness Came Stars, and her solo exhibition at Hollis Taggart, Art & Object sat down with the artist for a conversation.
In an Exhibition at the North Carolina Museum of Art, Velasco Seeks the Essence of Farm Labor Communities in North Carolina and California
The North Carolina Museum of Art began its “collection of art for the people” …
Headquartered in Dorset, England, Cape Farewell has been devoted to shifting perceptions about climate change since 2001, with founder and international director David Buckland at the helm. As…
Through more than 100 objects thoughtfully selected from the Mucha Trust Collection, an illuminating spotlight is placed on lesser-known aspects of Alphonse Mucha—whose interests extended beyond the…
The Affordable Art Fair will give visitors another opportunity to fall in love with original artwork. Galleries, dealers, and established artist collectives may only submit original works from living…
Ruth Fehilly made Mexico her home after falling in love—first with the country, then with artist Salvador Herrera. The couple opened The Outsiders Gallery in Centro, Queretaro last November.
Using art as a means for social change, artivists can change the world
Amid the pandemic and Black Lives Matter protests, artist Beverly McIver listened to her intuition.
Known for her symbolic use of the nude self-portrait, artist Julie Heffernan’s style can be described as a contemporary mix of Rococo, Surrealism, and Baroque, with a dash of the seventeenth-century…
“I leave you my portrait so that you will have my presence all the days and nights that I am away from you.” Frida Kahlo
![Ginevra de’ Benci [obverse]. 1474/1478. Leonardo da Vinci. Oil on Panel. Ailsa Mellon Brue Fund, National Gallery of Art.](https://www.artandobject.com/sites/default/files/styles/image_5_column/public/ginevradebenciobverse196761a.jpg?itok=hIzdUTaK)
