Studio Shop Gallery presents Roland Petersen at 100: A Life in Painting, a major retrospective honoring the celebrated Bay Area Figurative artist’s centennial year. Opening Friday, May 8, with a black-tie reception celebrating Petersen’s life and legacy, the exhibition traces eight decades of artistic innovation—from early 1950s abstractions to his latest painting completed in 2026.
Art News
Mid-morning January 7, 2025, a fire broke out in the Santa Monica Mountains. By the noon hour, fanned by intense winds with gusts up to 100 miles an hour, the fire had reached the perimeter of the Getty Villa property. Thus began a new odyssey for Getty, as we defended the Villa from the flames.
Since its start in 2009, Independent has been called the art world’s favorite art fair, and this year, there will be a lot more to like as it expands with a pair of major moves. This month, Independent’s contemporary art fair will migrate from its Tribeca digs to the much larger Pier 36 on the Lower East Side.
Attention to detail, subtle shifts of perspective, angles of surface, and objects overlapping or jutted up against one another; Giorgio Morandi’s sheer inventiveness with ordinary objects is distinctive.
The Bruce Museum is pleased to announce Gisela Colón: Radiant Earth, on view in the Sculpture Gallery from January 24 through June 28, 2026. This exhibition presents a comprehensive primer of the internationally acclaimed sculptor Gisela Colón, featuring nine luminescent sculptures that explore the profound forces and energies of the natural world.
When the Los Angeles County Museum of Art (LACMA) opened its David Geffen Galleries on April 19, visitors were met with works from vastly different cultures and centuries hung together without the hierarchies that have long shaped how Western museums arrange their collections.
In the United States, the historical formulation of the “self-taught artist” is loaded with assumptions about class, race, and mental health that have obfuscated the figure of the maker. Because these artists practiced outside of conventional art school, gallery, museum, and peer-exchange systems, their works have oftentimes been interpreted through the lens of their discoverers and collectors.
For more than six decades, Yoko Ono has challenged the conventions of art by inviting the audience into the work itself—either by being part of the art or stepping on it. A new exhibition at The Broad museum in Los Angeles traces the evolution of her practice from the early Fluxus experiments of the 1950s through her sweeping participatory installations of the 2000s.
The allegorical manifestation of "the four continents" is a visual staple of Western art from the colonial period and the 18th century in particular. Used to uphold the idea of European superiority and justify colonialism itself, the iconography associated with each continent is deeply rooted in racism.
The Akron Art Museum is proud to present Kent Monkman: History Is Painted by the Victors, a sweeping exhibition of monumental paintings by internationally renowned Cree artist Kent Monkman. Through his bold and subversive lens, Monkman reimagines the genre of history painting to confront colonial narratives and offer urgent new perspectives on the past and present.
