![DEl Kathryn Barton [Australian b. 1972] the more than human love , 2025 Acrylic on French linen 78 3/4 x 137 3/4 inches 200 x 350 cm Framed dimensions: 79 7/8 x 139 inches 203 x 353 cm](/sites/default/files/styles/category_card_187x139/public/ab15211bartonthe-more-human-lovelg.jpg?itok=LJbNuU6F)
This September 2025, the Museum of Modern Art…
MoMA
What began with eight prints and one drawing currently encompasses about 200,000 pieces from all over the world across multiple genres, including millions of films and film stills. Here we dive into…
'Van Gogh’s Cypresses' at the Metropolitan Museum of Art is the first exhibition to give the spotlight to the trees in the works of Vincent van Gogh (1853–1890). With the iconic work The Starry…
New York City will always be a global art center with institutions, public projects, museums, and galleries that offer a breadth of artists and artworks that changes constantly. This December, there…
Have you ever wondered what a job in the art world pays? Thanks to a new pay transparency law that went into effect last week, all job postings in …
Those original 176 emojis covered themes like weather, modes of transportation, sports, technology, and of course, emotions. But if you’re thinking emojis get their name from the “emo” in emotion,…
Sightings of Barbara Kruger’s work in New York City have been somewhat scarce since her last exhibition in 2018 at Mary Boone Gallery (which permanently closed…
An interior view of Matisse’s atelier in the Parisian suburb of Issy-les-Moulineaux, "The Red Studio" (1911) serves as the centerpiece for an impressive feat of scholarship that gathers photographs,…
Like many other pulse-taking surveys of contemporary art, Greater New York was conceived as a way for MoMA, via its PS1 satellite, to put its institutional stamp on the zeitgeist by measuring it…
MoMA's Anna Burkhardt looks at Clara Porset’s Butaque (c. 1957) and sees both a pivotal Latin American design object and a window into the Mexican craft traditions that inspired it…
Emily Bahret, production assistant on MoMA's Creative Team, talks about her first encounter with Marcel Duchamp’s "To Be Looked at (from the Other Side of the Glass) with One Eye,…
Video producer Sean Yetter recalls his first day on the job—and the first time he fell under the spell of Barnett Newman’s painting "Vir Heroicus Sublimis."
Cara Manes, Associate Curator in MoMA's Department of Painting and Sculpture, discovers a haven from the chaos of the everyday amid the “silence” and imperfection of Vasudeo S.…
MoMA's Kristen Di Lonardo, department manager in Visitor Engagement, looks behind the curtain at Florine Stettheimer’s Family Portrait, II and marvels at its intricate detail and sense of…
![Ginevra de’ Benci [obverse]. 1474/1478. Leonardo da Vinci. Oil on Panel. Ailsa Mellon Brue Fund, National Gallery of Art.](https://www.artandobject.com/sites/default/files/styles/image_5_column/public/ginevradebenciobverse196761a.jpg?itok=hIzdUTaK)
