Gallery  May 13, 2026

Women in the American Glass Studio at Corning Museum of Glass

Photo courtesy of Kathleen Mulcahy.

Kathleen Mulcahy installing Drops on a Landscape at Alfred University, Alfred, New York, 1973. 

The Corning Museum of Glass will open its new exhibition Tough Stuff: Women in the American Glass Studio on May 16, 2026, as a major initiative of the Museum’s year-long celebration of its 75th anniversaryTough Stuff is the first survey exhibition of work by women artists working in glass during the breakthrough decades of the American Studio Glass Movement, the 1960s through the late 1970s.  Featured in the exhibition are more than 200 objects from artists such as Claire Falkenstein, Audrey Handler, Margie Jervis, Susie Krasnican, Kathleen Mulcahy, Ginny Ruffner, Ruth Tamura, Toots Zynsky, and many others.

Courtesy of The Corning Museum of Glass.

Vase, Patricia Esch, Colorado, United States, 1967. The Corning Museum of Glass, 2025.4.131.

Tough Stuff emerged out of a desire to open a new door into the multifaceted histories of glass in the United States,” said Tami Landis, Curator of Postwar and Contemporary Glass at CMOG. “The exhibition is grounded in conversations with artists about their experiences and challenges in developing their own studios and signature styles.” 

American art of the 1960s was characterized by both material and conceptual innovation. This period of transformation redefined glass as a serious artistic medium and laid the groundwork for what became known as the Studio Glass Movement. While scholarship has often framed this movement around a narrow lineage of male artists, the reality was far broader; artists of both genders across disciplines, regions, and backgrounds were advancing the medium through diverse techniques and creative inquiry. Women played a central yet often overlooked role individually and collectively, which Tough Stuff brings into sharper focus. By highlighting works from the 1960s through today, the exhibition explores the history of studio glass through these women artists’ stories, acknowledging their persistence, ingenuity, and influence while expanding the historical narrative to reflect a richer, more inclusive vision.

Visitors will explore never-before-displayed works from CMoG’s permanent collection and the Rakow Research Library, along with notable loans from many of the featured artists. Together, the featured works will showcase both a wide breadth of techniques and illuminates the broader social, cultural, artistic, and gender politics of the time that impacted female artists. 

Complementing and continuing the work of Tough Stuff into the future, the Museum’s Rakow Research Library’s robust Oral History initiative will make the first-person accounts of many of the still-living artists from this period available to the public. The living archive will feature oral histories, interviews, video, photography, archival ephemera, and more, holding a record of these artists’ voices transmitting their own histories to future generations of glassmakers and glass enthusiasts.

Photo from the Marvin Lipofsky Papers, Rakow Research Library, MS-0185, Corning Museum of Glass.

Paula Bartron at the bench in the glass studio, University of California, Berkeley, 1971.

Catalogue
Publishing this fall, the exhibition will be accompanied by a vibrant, fully illustrated companion volume, sharing archival images of these artists in studio settings. Among the publication’s standout contributions is a new essay by Helen Lee, head of the University of Wisconsin–Madison’s Glass Lab. An expert on the work and histories of women in the Asian diaspora who shaped the Studio Glass Movement, Lee’s essay part interview, “Working Range—Revitalized: Rematriating Ruth Tamura’s Legacy,” includes excerpts from her ongoing conversations with field pioneer Ruth Tamura, the first account of Tamura’s significant, yet underrecognized, contributions to the field.

Courtesy of The Corning Museum of Glass.

Plate Scenery, Ann Wolff, Kosta, Sweden, 1978. The Corning Museum of Glass, 78.3.74.

As part of the continued celebration of women artists of the Studio Glass Movement coinciding with Tough Stuff, CMoG will host Ruth Yone Tamura (September 21-25), Toots Zynsky (October 5-9), and Flo Perkins (November 16-20) as Guest Artists. Working with CMoG’s Hot Glass Team, these artists will collaborate on new projects extending their existing bodies of works, including public demonstrations of glassblowing in the Amphitheater Hot Shop.

Tough Stuff and its related programming are supported by a generous gift from Rochester-based philanthropist Mary Spurrier. 

About the Corning Museum of Glass
In 2026, the Corning Museum of Glass celebrates 75 years as the foremost authority on the art, history, and science of glass. It is home to the world’s most important collection of glass, including the finest examples of glassmaking spanning 3,500 years. Live glassblowing demonstrations (offered at the Museum and on the road) bring the material to life. Daily Make Your Own Glass experiences at the Museum enable visitors to create work in a state-of-the-art glassmaking studio. The campus in Corning includes The Studio, a year-round glassmaking school celebrating 30 years in 2026, and the Rakow Research Library, with the world’s preeminent collection of materials on the art and history of glass. Located in the heart of the Finger Lakes Wine Country of New York State, the Museum is open daily 9 a.m.– 5 p.m. from April through December.

42.150539114374, -77.0571318

Tough Stuff: Women in the American Glass Studio
Start Date:
May 16, 2026
End Date:
January 10, 2027
Venue:
Corning Museum of Glass

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